What Will Rumi Do?

Official releases:

Comments

Todd Yvega on the Everything Is Healing Nicely (1999) liner notes:

The ["T'Mershi Duween"] second half was built up as a superimposition of many different subdivisions of the meter. Each player was verbally given a part to play Frank referred to these 'subcompositional arrangements' [Todd's term] as "objects". Once an 'object' was developed, a name and a hand signal would be assigned to it so that "it could happen at any time..."

 

Conceptual Continuity

Things that the girl at the percussion set would do:

 

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This page updated: 2008-02-24