It was the first piece that I tried on the Synclavier. (...) It dates from around '82-'83. It sat around for a number of years until the Roland Digital Piano became available (...). When I heard that, I did some more work on it, and printed out the sheet music for it. There's a version for solo piano which is very, very, very difficult, and there's this version, for two pianos, which is less difficult, but still hard. Ali [N. Askin] took the version for one piano, and since he is a piano player, worked out the fingering positions and the ways to split up the solo piano version for two players. (...) The title derives from the fact that sometimes during rehearsal of the '72-'73 band, while I was giving instructions to other members of the group, Ruth Underwood would curl up underneath the marimba and go to sleep.
I met Frank Zappa in October 1991. The Academy of the Arts in Berlin was planning to present his new compositions in Germany, and I wanted to ask him if he had written any piano music which I could play on this occasion. In Zappa's living room we listened to each other's latest recordings. His newest works were composed on and performed by his computer, as their complexity rendered them very difficult to be written down and played by live musicians. He gave me the score of the piano piece, "Ruth Is Sleeping," which had been written some years before but had not yet been performed. Its simultaneous use of different registers of the piano to achieve multiple combinations of major sevenths made it an interesting challenge to me. I also found that Zappa, by not indicating any dynamics or tempo changes, stimulated the performer to improvise the interpretation, as it were, evoking sometimes dreamy, sometimes tempestuous moments of Ruth's sleep. I premiered the piece in Berlin on September 21, 1992.
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