That red-hot-sounding guitar was just me and the drummer jamming at three o'clock in the morning. That track was the basis for the song. It was a riff that started off at a soundcheck about a year before, and I had been piddling with it for a long time. One night, we finally did it, saved the tape, and little by little we added all of this other stuff to it, and we got "Valley Girl."
The bass line was never written. It was the last thing that was added to the track. The track didn't even have a bass part; it was just guitar and drums. And when Scott Thunes came in to do it, it was at a point where I thought if we left the guitar up high enough in the mix it would probably be thick enough where we wouldn't even need a bass. But the engineer, Bob Stone, said, "Aw, go ahead and put on a bass line." We were just about ready to go out and do a tour, and I brought Scott up to the studio one night after rehearsal. It took about an hour and a half, the same way as with Arthur Barrow on "No Not Now"--I said, "Play this: Boop, boop, boop," and he did it. He was playing the bass through a Vox amp, and that's what gives it that particular sound.
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